Best Espionage Films List
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Last Updated: 4/20/25
Note:
It's simple and straightforward: the best of the best in espionage cinema history. In order to qualify, the film
has received a rating of at least '7' from me and then must also meet the following criteria:
1. The main focus is on intelligence gathering.
2. It can be about spies, the CIA, MI6, the KGB, etc.
Military films are acceptable as long as the focus is on espionage. Multiple parts (i.e. duology, trilogy, etc.)
can be put together as one if there's a continuation in the narrative. Miniseries and telefilms are fair game, but
anything made after the year 2000 and documentaries are excluded.
These films have shown brilliance in most, if not all, aspects: acting, characters, screenplay, plot, direction,
editing, cinematography, and so on. They must also be "culturally, historically, or aesthetically significant."
Then, I think about cultural phenomenon, uniqueness, famous movie moments, iconic scenes and/or lines, cinematic
power, and timelessness.
This list is based on what I have seen so far and is limited to the top 10 with 5 honorable mentions in that order
and some, if any, notable exceptions to the rule. While ranking the films, I am simultaneously thinking about
espionage before quality and quality before espionage.
The most definitive Hitchcock picture made, The 39 Steps is the gold standard that many espionage
pictures have failed to match. Robert Donat has never been better, and Lucie Mannheim deserves credit for
setting the tone. The formula of Alfred Hitchcock's many films can be readily found in The 39 Steps.
The Manchurian Candidate is a brilliantly made political thriller picture with the most complex editing
imaginable. Now, remember the book was written in 1959 and the film was released in 1962 which was more than
one year before JFK's assassination. The President knew all about it and gave the filmmakers his expressed
approval to go ahead with the project. Pretty chilling stuff.
Move over, James Bond...here comes a real spy by the name of Alec Leamas. Nominated for Best Actor Academy
Award, Richard Burton is devastatingly good as a "seedy, squalid" spy who has seen it all and is disgusted
with life. His performance is in the top two or three of his career.
Clear and Present Danger is by far the best film of the Jack Ryan franchise. The story is so good with
different kinds of villains, and the acting, especially by Harrison Ford, Joaquim de Almeida, Miguel Sandoval,
Henry "Boom" Czerny, Harris Yulin, and Donald Moffat, is terrific. Speaking of villains, there are not one, two,
or three but many of them. Not only are they from the bad side, but they're also from the good side.
It's truly mission impossible in Mission: Impossible. What a fine job by Tom Cruise who may have turned
in the most exciting performance in years. The script, the defining moments, the gadgets, the disguise masks,
and, most of them all, the ending with the TGV and the helicopter are spectacular. Of course, we must have
Henry Czerny for the show.
Patriot Games is a thrilling yarn by Tom Clancy with a new kind of action hero through Jack Ryan. It's
a unique American picture with lots of strong UK elements. Sean Bean will forever be remembered for this.
Harrison Ford has a great line when he confronted Richard Harris: "I will fucking destroy you." Cromwell was
certainly left shaking in his boots...or perhaps not.
It's not that the script is complicated, but it's rather tightly controlled, refusing to give any inch.
You'll have to sit through The Ipcress File all the way to the end and get the explanation of what
it's about. The most valuable asset is the avant-garde camera work. If not for that, it would've been a dated
spy picture. The dialogue is very concise and to the point. Michael Caine as Harry Palmer is heaven, and Nigel
Green is great as well.
Chalk up The Train as one of the most exciting WWII pictures. Nothing beats the sight of Burt Lancaster
in action. He going down the ladder quickly, jumping off the train while it's in motion, running across the
bridge, and getting through the mountain range with a injured leg are some of the film's highest points. Also,
it has some great aerial shots, especially when the railyard is bombed.
This is the third outing for Arnold Schwarzengger and James Cameron after working on the first two films of
The Terminator franchise. You know the adage: "If it ain't broke, don't fix it."
As a result, it was a smash hit in 1994, finishing third overall at the box office, because of three reasons:
lots of action, ingenious storyline, and Jamie Lee Curtis.
The best part of the film is the limousine on the Seven Mile Bridge in the Florida Keys, especially when
Arnold Schwarzenegger held his arm out to rescue Jamie Lee Curtis. The scene is a very, very Hitchcockian-esque.
Kevin Costner is the show and looks great in whites. He has a famous movie moment with Sean Young when they start
making love in the back of the limo, but once her character is killed, that's when the movie takes off. From
there on, the race is on to see who will be left holding the bag which is fun to watch.
Honorable Mentions:
Scorpio (1973),
Carve Her Name with Pride (1958),
The Lady Vanishes (1938),
The Hunt for the Red October (1990),
and
Executive Action (1973)
Notable Exceptions:
The Pentagon Papers (2003) and XXX (2002)