Best Kid Films List
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Last Updated: 4/8/25
Note:
It's simple and straightforward: the best of the best in kid cinema history. In order to qualify, the film
has received a rating of at least '6' from me and then must also meet one of the following criteria:
1. The main focus is on kids.
2. The primary character is a kid.
They must not be in high school. Films having more kids in middle school or lower than high school is acceptable.
Multiple parts (i.e. duology, trilogy, etc.) can be put together as one if there's a continuation in the narrative.
Miniseries and telefilms are fair game, but anything made after the year 2000 and documentaries are excluded.
These films have shown brilliance in most, if not all, aspects: acting, characters, screenplay, plot, direction,
editing, cinematography, and so on. They must also be "culturally, historically, or aesthetically significant."
Then, I think about cultural phenomenon, uniqueness, famous movie moments, iconic scenes and/or lines, cinematic
power, and timelessness.
This list is based on what I have seen so far and is limited to the top 12 with some, if any, honorable mentions
in that order and some, if any, notable exceptions to the rule. While ranking the films, I am simultaneously
thinking about kid before quality and quality before kid.
In comparison with other children's films, nothing beats The Goonies. Unparalleled are the acting,
dialogue, sense of humor, premise, fantasy, creativity, comedy, and action-adventure. Of the child stars, Corey
Feldman does an exceptional job. As for the rest of the cast, they're natural. The Goonies has it all
that you can possibly want in a children's film.
The Monster Squad is one of the all-time great children's films with a delicious mix of horror and comedy.
Fascinating is how well it bridges the gap, giving something for everybody: horror fans, comedy fans, children,
and adults. The best part is putting together the five most famous movie monsters from Universal Studios in
one film: Count Dracula, Wolf Man, Mummy, Frankenstein's Monster, and Creature from the Black Lagoon.
"What an excellent day for an exorcism." Famous for many reasons, The Exorcist is one of the finest
horror films ever made. Linda Blair's transformation is something else to behold. Her character is so scary
that she's effective. Who can forget the taxi stop for Father Lankester Merrin in front of the house?
The Miracle Worker is a powerful, moving story about how Helen Keller was shown the light through
language. The Oscar wins for Patty Duke and Anne Bancroft are deserving, and the former's performance is in
the top ten of all time. It's impossible not to be moved by all of this.
There's a lot of David Lean in Empire of the Sun, thanks to the top-notch cinematography. Christian Bale
gives a performance that's on par with Peter O'Toole of Lawrence of Arabia. There are a lot of
similarities between both films as well. Steven Spielberg is the best director ever because of his ability
to create a masterpiece in any genre.
A brilliantly written masterpiece that manages to break the mold of the usual black gang pictures, Fresh
has deep Shakespearean elements, most especially the analogy of a chess match that's played out in real life.
The characters around Fresh are used as pawns, and Esteban acts as the king and is therefore the objective of
the game. Fresh's reward is his sister.
The first film directed by Mel Gibson, The Man Without a Face is his most underrated. Well-acted, good
story, and plenty of depth are the hallmarks that make this one a compelling viewing. It's a hybrid of
Educating Rita, Shane, and Dolores Claiborne. Anyone can be easily swayed by Mel Gibson's
star power, but Nick Stahl steals the show.
The Sandlot was already a classic baseball picture when it first came out in 1993. The story is creative.
All of the child actors are natural, and they can play baseball, too. There are nice random moments from time
to time to make the film memorable.
Vice Versa beats the pants off both versions of Freaky Friday. It's due to one reason alone:
superior acting. Judge Reinhold and Fred Savage do a great job of playing their ages appropriately after their
bodies got switched. Thanks to the strong plot, the film hasn't dated and doesn't involve contrivances.
A Little Romance is a nice charming picture that takes place in France and Italy. Although the boy and
girl are the main show, it's Laurence Olivier who steals their thunder. Making her screen debut, Diane Lane
gives a good performance and is a natural. Thelonious Bernard starred in only two films,
A Little Romance and Allons z'enfants, before calling it quits.
Le ballon rouge is a quirky, innovative French short with no more than twenty-five words (this one won
the Oscar for Best Original Screenplay if you can believe it) about a boy with a red balloon that acts like a
dog. Children will probably like the film, but as for the adults, I'm not sure but guess they'll have to tap
their inner child to get into it. The ending is sad, but there's a happy, spiritual moment to erase it away.
Two gangs are at war with each other for the possession of "splurge guns." To fill in the time, it's about the
look and fashion through quick editing with snappy dialogue while making fun of every gangster picture that
came out during the 30's and 40's. Along with the cars that can only move by pedals, I'm impressed with the
concept of kids acting like adults. There are two who stand out: John Cassisi and Florrie Dugger as Fat Sam
and Blousey Brown, respectively.
Honorable Mentions:
None
Notable Exceptions:
Sound and Fury (2000),
Spellbound (2002),
and
Thirteen (2003)