Best Remade Films List
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Last Updated: 3/21/25
Note:
It's simple and straightforward: the best of the best in remade cinema history. In order to qualify, the film has
received a rating of at least '7' from me and then must also meet the following criteria:
1. A movie has been originally produced in the past and is therefore remade with very similar elements.
Multiple parts (i.e. duology, trilogy, etc.) can be put together as one if there's a continuation in the narrative.
Miniseries and telefilms are fair game, but anything made after the year 2000 and documentaries are excluded.
These films have shown brilliance in most, if not all, aspects: acting, characters, screenplay, plot, direction,
editing, cinematography, and so on. They must also be "culturally, historically, or aesthetically significant."
Then, I think about cultural phenomenon, uniqueness, famous movie moments, iconic scenes and/or lines, cinematic
power, and timelessness.
This list is based on what I have seen so far and is limited to the top 11 with 4 honorable mentions in that order
and some, if any, notable exceptions to the rule. While ranking the films, I am simultaneously thinking about
remake before quality and quality before remake.
It's one of the finest movies made, a wondrous spectacle with outstanding hallmarks of what makes an epic. The
parting of the Red Sea by Moses is a sight to behold, the clincher for a lone Academy Award win in Special Effects
category, and it's still unbelievable for 1956. Charlton Heston will always be the King of Epics:
The Ten Commandments, Ben-Hur, and El Cid. Not to miss is the strong performance by Yul Brynner.
The epic of all epics, it's a big-budget picture amassing over 15,000 extras. Rome has never been so
glorious-looking since the fall of the empire. The greatest and the most breathtaking climax comes during the
chariot race. That scene is the reason alone the epic remains an insurmountable work of cinema. Although it's
the highlight of Ben-Hur, the movie is much more than that which includes the rise of Jesus Christ.
This is the grandfather of the film noir genre. Humphrey Bogart will always be iconic as Sam Spade, the
anti-hero private dick everybody imagines when they read the pulp detective stories. The cinematography is
top-notch, the script is marvelously done, and the mood can't be any more noirish. It's "the stuff that
dreams are made of."
Sorcerer is a unique motion picture from William Friedkin that's shot on location in the Dominican
Republic. This isn't about the plot per se but an adventure of four men who are down on their luck and will do
anything to turn their fortunes around even if it means life and death. Among the finest and most unforgettable
scenes in cinema history is the bridge crossing, twice at that, which took three months to film.
Among John Carpenter's top three films of all time, The Thing is a bona fide horror classic that improves on
the original in every way possible. The plot is terrific which is alike to Alien. But this time, everybody
dies because it's for the sake of saving the world from the unstoppable monster. The movie is pure terror all
the way to the end.
Nobody played Philip Marlowe better than Robert Mitchum. It's just terrific writing. "This car sticks out like
spats at an Iowa picnic." "She had all 'A's', none of them on a report card." "There was something about Abraham
Lincoln's picture that loosened him up." "She gave me a smile I could feel in my hip pocket." "I'll bet you five
dollars you can't find a state they're not wanted in." "$50, $10 extra if you bleed in my boat."
Martin Scorsese's version of Cape Fear is more thrilling and suspenseful than the original. The
performances are uniformly excellent. Robert De Niro is at once effective and chilling as Max Cady. Juliette
Lewis embodies the look of an innocent teenage girl. A terrific scene is when they are alone in the auditorium.
Cousins is one of the greatest romantic and also funniest movies made, being the main precursor of Hugh
Grant's British classic Four Weddings and a Funeral. Electrifying is the chemistry between Ted Danson
and Isabella Rossellini. And the rest of the cast is impeccable, giving the film a lively pace.
The first and only disaster film to win Best Picture, Titanic wipes away all previous pictures about the
unsinkable ship. Featuring a sweeping romantic story, it won eleven out of fourteen Oscars. James Cameron is a
wunderkind because of how he's able to blend the visual effects with cinema so effortlessly well that it all
looks as one. Although A Night to Remember is forgotten today, it remains the most accurate version of
what happened that night of April 14, 1912, thanks to Walter Lord's book.
Without question, Yul Brynner is the undisputed leader of the ensemble cast. He has a quiet commanding presence,
setting the tone of the film. Sorry, Steve McQueen...you lost. And it's not even close. I've seen
Shichinin no samurai twice, but it's an overlong, boring film. Hence, The Magnificent Seven
makes for a nice substitute.
Out of the two versions of The Front Page and His Girl Friday, Billy Wilder's is the best. The
pairing of Jack Lemmon and Walter Matthau for the respective roles of Hildy Johnson and Walter Burns is genius.
Their comedic timing is unbelievable. It's a funny movie which has the pace just right. Billy Wilder was smart
enough to end the film with Walter Matthau saying, "The son of a bitch stole my watch."
Son of the Morning Star is a dramatic improvement over Custer of the West by getting nearly
everything correct. Not only that, the story is told from two points of view: Custer's wife and a Cheyenne
woman named Kate Bighead aka Antelope. Dances With Wolves' Rodney E. Grant appears as Crazy Horse along
with other authentic Indians which are 150 in all. The film was shot on location in Badlands
National Park and Buffalo Gap, South Dakota.
Honorable Mentions:
Illegal (1955),
Ten Little Indians (1965),
Vice Versa (1988),
and
Desperado (1995)
Notable Exceptions:
The Ring (2002) and The Texas Chainsaw Massacre (2003)