Best Silent Films List
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Last Updated: 2/15/24
Note:
It's simple and straightforward: the best of the best in silent cinema history. In order to be considered,
the film is usually before the late 1920's and must not contain audible dialogue while having received a rating
of at least '7' from me. Multiple parts (i.e. duology, trilogy, etc.) can be put together as one if there's a
continuation in the narrative. Anything made after the year 2000 and documentaries are excluded.
These films have shown brilliance in most, if not all, aspects: acting, characters, screenplay, plot, direction,
editing, cinematography, and so on. They must also be "culturally, historically, or aesthetically significant."
Then, I think about cultural phenomenon, uniqueness, famous movie moments, iconic scenes and/or lines,
cinematic power, and timelessness.
This list is based on what I have seen so far and is limited to the top 8 with, if any, honorable mentions in
that order and some, if any, notable exceptions to the rule.
After seeing The Birth of a Nation, Woodrow Wilson famously said, "It is like writing history with
lightning, and my only regret is that it is all so terribly true." Whether he really did or not is besides the
point. The film's place in the annals of cinema is undeniable. It forever changed how movies were made. Hence,
D.W. Griffith is the father of film.
Genius movie. There are many, many funny parts. My favorite is the balancing act in James Caan's broken-down trailer.
The back of the DVD cover says, "Only Mel Brooks would tell his laugh-packed tale about a silent movie—as a
silent movie—with one word of dialogue." That's true as the mime will ironically say it. Brilliant stuff.
One of the best from the silent film era, Das Cabinet des Dr. Caligari, which is translated as
The Cabinet of Dr. Caligari, is the quintessential example of German Expressionism cinema. It's the
jagged shapes in the background that gives the picture a distorted, surreal look.
The Man of a Thousand Faces, Lon Chaney is unforgettable as the Phantom of the Opera. It's he who makes the
film work by doing the makeup himself, and his villain is timeless as ever. The movie is spooky, especially
during the famous unmasking scene.
Setting the standard of future horror films and establishing Universal as a major studio,
The Hunchback of Notre Dame proves why Lon Chaney was the greatest actor of the silent film era. His
performance as Quasimodo is quite remarkable along with the makeup job.
Bronenosets Potyomkin, aka Battleship Potemkin, is a groundbreaking film for the use of montage,
and the Odessa Steps scene is one of the greatest and most famous ever. It literally changed how the editing
process should be handled. Back then, silent pictures used to be static as the camera stood in one place while
various actors moved around on the same set in full view.
The 1956 version of The Ten Commandments is never going to be topped, but the silent film is a good
start anyway. the orginal only covers from Moses telling Rameses II what he would do to the firstborn children
to leading the Exodus to parting the Red Sea (which was done with a Jell-O that's sliced into two which got
superimposed against a reel of the Israelites walking through) to throwing down the tablets from Mount Sinai.
Where most Dracula films fail in, Nosferatu succeeds. It's beautifully made and a prime example of
German Expressionist cinema. Max Schreck is highly memorable as Count Orlok. The name change as well as
everything else is due to not wanting to fall afoul of the copyright infringement in regard to Bram Stoker's book.
Honorable Mentions:
None
Notable Exceptions:
None