Documentary Movie Reviews
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And the Oscar Goes To... (2014)
Rate:
7
Viewed:
12/16
12/16:
And the Oscar Goes To... brings back a lot of memories, and there are clips of many films that are
nice to see.
However, I wish they're confined to movies that are at least twenty years old. The recent stuff is the reason
why the Oscars aren't the same anymore because the quality of cinema has gone down big time the last fifteen
years.
Another negative is the absence of several famous moments involving Jack Palance, Cuba Gooding,
Jr., and Louise Fletcher. When Marlon Brando's Oscar win for
On the Waterfront was shown, it looks chopped up. His acceptance
speech was short but special that should have set an example for future winners of how to get it right.
The most spontaneous moment ever in Oscars history is Roberto Benigni's walk over the chairs. It's, once again,
garbled in the documentary. Worse, the dark side of the Academy Awards isn't presented as there were campaigns
by stars to drum up voter support for the coveted award. A good example is Humphrey Bogart's completely
undeserved win for The African Queen over Marlon Brando of
A Streetcar Named Desire.
Another infamous incident is the snub of Hoop Dreams for Best Documentary
in 1995. Anyone who has seen the basketball documentary knows it was a definite Oscar winner. From IMDb:
"According to Roger Ebert, after the film failed to receive an Oscar nomination for Best Documentary, he and
Gene Siskel learned about the nominating process. He said that members of the Academy's documentary committee
held flashlights when they watched documentaries, and anyone who had 'given up' could wave it against the screen.
The movie was turned off if a majority waved their flashlights. Hoop Dreams
(1994) was turned off after 15 minutes."
Really? 15 minutes? Is it because everybody in the documentary was black? Here's another one:
"When the film failed to be nominated for Best Documentary, even though it was nominated for Best Film Editing,
Entertainment Weekly ran a story about how the Academy of Motion Picture Arts and Sciences selected
documentary nominations. Most of the voting members were not documentary filmmakers, and many worked against
nominating the film. As a result, the rules were changed to allow documentary filmmakers to vote in that
category."
Now, you know why the awards show is a joke today. Many Oscar-worthy performances and films have gone unnoticed
in the past while there are scores of undeserving Oscar winners. The main reason is politics. An example of
what I'm talking about is Sean Penn's Best Actor win for Milk over
The Wrestler's Mickey Rourke because the former was heavily connected
while the latter had burned bridges with so many.
Elsewhere, there's too much of Jane Fonda (ugh!), Helen Mirren, Tom Hanks, Steven Spielberg, Cher, etc. This is
as liberal as it gets. Why can't they get more famous people to drop a line or two to keep the documentary
balanced as much as possible? Am I correct to say there are almost no black, Hispanic, or Asian commentators
in this? There you go: racism has always played a huge part in the Academy of Motion Picture Arts and Sciences.
Here's a pop quiz: name a black movie that won Best Picture during the 20th century. You can't because there
isn't any. Nope, it wasn't The Color Purple which got robbed big time,
winning exactly zero out of eleven nominations.
All in all, although worth watching for nostalgia, And the Oscar Goes To... is a one-sided documentary.