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Deadfall (1968)

Rate: 7
Viewed: 6/20

DeadFall68
6/20: One of the best Michael Caine films from the 60's is Deadfall.

With a touch of Chinatown, it's To Catch a Thief crossed with The Thomas Crown Affair. More about the dark psychology with weird undertones than the caper, there's a lot to like, but it has a couple of glaring negatives.

Strengthened by the excellent camera work, stylish editing, and John Barry's score, the cinematography is top-notch with tasteful in/exterior sets. It's hard to believe the movie was shot during the 60's which would have looked dated by now, but that's not so. The colors are perfect against the backdrop of Majorca, Spain, blending in well with the fashions, putting Edith Head to shame.

Next is the acting. About to hit his stride, Michael Caine is very good and looks a lot more polished than he was as Harry Palmer. This time, he sells it too well. To meet his standard of excellence are Eric Portman, for the final performance of his career, and the beautiful Giovanna Ralli. The film moves at a brisk pace because of how well they work together through their conversations.

Now for the negatives, it's the screenplay plus an actress who doesn't belong in the film. Yes, the dialogue is pristine, full of class, and sophistication. However, I will say 30% of it doesn't make any sense. That's why I'm compelled to call Deadfall a strange film. Um, so...the old man was Fé's father after all? I'm not buying it; regardless, its a daring move at the time. As for the miscast actress, Nanette Newman is the director's wife; need I say more?

The most unbelievable part is Michael Caine's character letting go of himself to fall down about fifteen feet while making a ninety degree rotation in midair before clasping his hands on the ledge. Ah...I don't think so, and that's not possible with the little fingers trying to stop at least 400 pounds of motion force. But it's a great concept nevertheless.

All in all, convoluted or not, Deadfall is a sumptuously made picture.